Thursday, April 22, 2010

10 Ways to Procrastinate When You're Writing for a Deadline

Sally was elbow deep in marinara at 6:30 in the morning when she realized how absurd it was that she'd decided to make several pans of lasagna before getting the kids off to school. The insanity of it all got her thinking, Why am I chopping garlic while even the sun is still sacked out?


A familiar maniacal, malevolent little voice whispered, “You’re procrastinating again!” That’s when she started making a list, a list of all the ways she procrastinates when she's writing for a deadline.


We all have surreptitious distractions. We - The Sometimes Procrastinating Word Girls - would love it if you shared some of yours with us. Make a list (it’s actually another great way to procrastinate if you’re writing for a deadline, too).


Here’s Sally's:


YOU KNOW YOU’RE WRITING FOR A DEADLINE WHEN


1. You decide to make pans of lasagna for the entire neighborhood; and actually like the smell of garlic that has infused all of the curtains in your house.


2. You write the thirty best poems you’ve ever written in your life (and you’re not working on a poetry compilation).


3. You visit every possible writing website in existence, print out articles, read them and try to convince yourself that you're in the process of 'feeding yourself a sustaining inspirational meal-of-words.'


4. You get excited when you hear the buzzer go off on the drier, coffee maker, or the stove . . . when the doorbell rings, the mail arrives, or your most obnoxious neighbor stops over for coffee.(If any of my neighbors are reading this . . . I'm not talking about YOU!)


5. You talk to your friend on the phone for four hours, analyzing a dream she had about Steven King, an auburn horse and the End Times.


6. You blog, you respond to all of your old e-mails, you check your e-mail (again). You read your friends' blogs. You check your e-mail (again). You respond to new e-mails. You check your e-mail (again and again and again and again).


7. You find Oprah particularly sagacious in an interview she’s conducting with Jim Carrey. As you watch, you’re rapt and convince yourself that this show is part of your research/incubating/character blah, blah, blah and that the exact nugget you need for your plot will probably come from this consequential hour of TV.


8. You actually look forward to exercising. Cher and Richard Simmons tapes from the 80’s are inspiring you to lose the 10 pounds you gained while eating chocolate donuts and writing the first half of your book.


9. You are awakened by wolves howling in the night. When you fall asleep you dream that your editor has grown excessive amounts of facial hair and is howling at the moon, chasing you, growling and asking where your manuscript is.


10. You take up knitting, take a trip, take your time when you walk the dog.


11. You decide to organize every closet in your house, make plans for a kitchen remodel and order seeds for the garden you’ve always dreamed of planting.


12. You make a list called YOU KNOW YOU’RE WRITING FOR A DEADLINE WHEN . . . and submit it to your favorite writing magazine.


13. You break into an anxiety induced sweat, finally put your butt in a chair, and start writing. Keys start clicking, kinks in your cerebellum unravel, words begin to flow like faucet water. You’re actually enjoying yourself, you're on a roll, when . . . your three-year-old enters your office and asks you to play!

Writers Write: A Gentle Rebuttal

How many times have you read an article or attended a writers’ conference and heard the piquant slogan, ‘writers write!’? How does this often used ditty make you feel? If you’re anything like me, it can make you a little sweaty on your upper lip. It can cause guilt to turn your stomach like soured milk. It can make you wonder why you took time to clear the lint out of your drier, visit Grandma at the home, or read that piece of pulp fiction you picked up at your neighbor’s garage sale.

A Reaction to Writers Write
Writers write. It’s true. But, why does that phrase potentially cause so much angst, so much guilt? Perhaps it’s because the phrase is commonly paired with the following Isaac Asimov quote: “Whenever I have endured or accomplished some difficult task – such as watching television, going out socially, or sleeping – I always look forward to rewarding myself with the small pleasure of getting back to my typewriter and writing something. This enables me to store up enough strength to endure the next interruption.” This first time I encountered Asimov’s quote it was mind-blowing, quirky and inspiring. It made me wonder why I ever watched Grey’s Anatomy, why I ever took naps, why I wasted time at my husband’s workplace Christmas party.

The longer I contemplate Asimov’s words, though, the more they make me wonder if I’m cut out for life as a writer. If I’m really a writer, why do I wrestle with God and my sheets every morning when the blasted alarm beckons me to my computer to meet a deadline or write that perennial column? If I’m really a writer why do I prefer coffee clutches with Margie or a phone conversations with Cher to editing that weed-infested piece of plot in my YA novel? If I’m really a writer why do I look forward to those quintessential, yet cliché moments on The Bachelor: After the Final Rose?

Everyday Writers Defined . . .
Lately I’ve been realizing that the writers write line cannot – will not – define me. The problem with the phrase, what actually seems to bug me about it, are the connotations it espouses. It seems to nefariously whisper, writers write all the time (they don’t do much of anything else; and if they do, they should be longing to write instead). When the connotations and implications of this tag phrase are spelled out like this, they seem slightly crazed, graceless and indicative of a workaholic lifestyle that may have suited brilliant prolific Isaac. But, it’s definitely not for everyday writers like me. Writers like me definitely write. We also make love, make dinner, and try to make ends meat. We write and we live. We live and we write.

We are writers (even when we’re not writing). If we live in the truth of that, we free ourselves from this mixed up notion that writers write (all the time). We realize that our lives and days are full of seasons and callings that overlap with and intersect into our call to write. Perhaps we’re writers. But, we’re also puppy raisers, kid raisers, wives and beach combers, crazy aunts, worshippers, and friends. This cornucopia of differing hats makes our writing life and our writing richer, more informed, organic and embodied.

Maybe we just need a new paradigm to frame the writing experience, a fresh and true and freeing phrase. This new paradigm should not be an excuse to slack in discipline, to roll over in bed when a deadline is due. It should not be carte blanche to tuck Writing Group editorial notes away and never rework menacing manuscripts. And, it should not be a Get Out of Jail Free Card when an editor finally bites on a query and requests sample chapters (that have yet to be written).

This new paradigm should give writers freedom and guiltless space to live full and vibrant lives: abundant lives. Never again should we feel guilty that we shopped for jeans to make impossible butts look cute, instead of writing. Never again should we feel guilty for taking a vacation, being a friend, burying a loved one, watching a sunset, snuggling our kids, going to seminary, going to the gym, or enjoying a good cup of dark roast instead of writing.

Never again should we feel guilty about ‘wasting’ a morning watching Oprah (one of my best book ideas actually came from an O episode, by the way) instead of writing. Instead, we should fill our lives with the fullness of living, and come to our work as writers with the kind of delight in the writing process that Isaac Asimov must’ve viscerally known.

A New Paradigm
When I imagine a quote offering a fresh paradigm for the writing life, I think of Natalie Goldberg’s, Writers live twice . . . from Writing the Bones. She offers, "Writers live twice. They go along with their regular life, are as fast as anyone in the grocery store, crossing the street, getting dressed for work in the morning. But there's another part of them that they have been training. The one that lives everything a second time. That sits down and sees their life again and goes over it. Looks at the texture and the details."

Perhaps this phrase will be adopted as a new paradigm for writers. Perhaps it will espouse hope in writers, like me, who have full and messy lives. Perhaps it will free writers to write as a means of enriching their lives, of living it twice. And, perhaps, it will reveal that those who live life fully and deeply – present to each moment – have more to write about.
Writers often wear many hats, juggle many plates, multitask with the best of them. Just think. Elizabeth Gilberty would never have had the NY Times best-selling smash, Eat, Pray, Love if she had never eaten, prayed or loved deeply. Madeleine L’Engle wouldn’t have written my favorite book, Circle of Quiet if she hadn’t taken time to be, to know ontology, to stop frenetically writing for periods of time.

If we listen to another renowned, prolific and world-changing writer, who penned: “Never compare yourselves with others. Only compare yourself to yourself.” We will be free to let go of Asimov whispers and realize that the writing life is a seasonal journey just like every other path we walk. Sometimes writers are crazed with an idea that won’t let them sleep and have butt in chair for eighteen hours a day. Other times, we feel dazed by rejection and need to take a break, take a walk, take a sabbatical, take a long drink of cold cold water. Yes, writers write. But, writers also loiter and read and sing and play and cook and live twice, too.

"Writers live twice. They go along with their regular life, are as fast as anyone in the grocery store, crossing the street, getting dressed for work in the morning. But there's another part of them that they have been training. The one that lives everything a second time. That sits down and sees their life again and goes over it. Looks at the texture and the details."
- Writing Down the Bones by Natalie Goldberg